Movies

Several prominent directors of Samurai films and Westerns in the 1950s and 60s shared a mutual admiration and openly made their art with direct reference to one another. In Akira Kurosawa’s brilliant movie Yojimbo, for instance, a masterless samurai played by the sublime Toshiro Mifune is standing at a crossroads and throws a stick up in the air to “decide” which direction to go. The scene is a direct reference to the John Ford film Young Mr. Lincoln, in which Ford’s version of the American president does the exact same thing. The Western remake of Kurosawa’s classic The Seven Samurai became The Magnificent Seven. In fact, the mutual “admiration” between purveyors of the two genres became so intimate that Kurosawa was forced to sue Sergio Leone over the movie A Fistful of Dollars, which was clearly a plagiarized version of Yojimbo by Leone.

--https://lawliberty.org/the-embarrassing-eleven/, 2020

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Created Equal, the Clarence Thomas documentary by Mr. Pack, is extremely good. Very simple, low budget. The family went over to Bob's House to watch it with him.

Godzilla vs. Destoroyah (1995)

1. 2 - Godzilla vs Destoroyah (second best Godzilla movie)

"It’s impossible to decide what’s most memorable about this final film of the Heisei era. Is it Godzilla’s stunning new “Burning Godzilla” appearance? Could it be the many clever callbacks and references to the original 1954 film? Or maybe it’s the ghastly design of Destoroyah, one of Big G’s all-time scariest opponents? Or perhaps it’s the fact that Godzilla Jr. finally emerges as a decent character? The truth is, it’s all of those things, plus so much more. But what makes this existential epic truly worthy of classic status is its profoundly emotional ending. For the first time in history, you’ll find yourself sobbing in a Godzilla movie as the final credits roll. Compassionately directed by Takao Okawara, “Godzilla vs. Destoroyah” elevates the kaiju genre to the level of Greek tragedy."