Music

 ANONYMOUS. The <a href="https://www.youtube.com/watch?time_continue=42&v=Va6yxMru9jE&feature=emb_title" rel="noopener noreferrer" target="_blank"> Le Boudin, </a> the Sausage Song of the Foreign Legion <a href="http://foreignlegion.info/songs/le-boudin/" rel="noopener noreferrer" target="_blank">that insults the Belgians</a>. They're not politically correct. A more polished version, probably sung by professionals, and with subtitles is<a href="https://www.youtube.com/watch?list=RDVa6yxMru9jE&v=FKGLGFQSpXE&feature=emb_rel_end" rel="noopener noreferrer" target="_blank"> here. </a>

 BEATLES.<a href="https://www.youtube.com/watch?v=0pGOFX1D_jg" rel="noopener noreferrer" target="_blank"> Love Me Do. </a>Audio only.

 BEETHOVEN, Quartets<a href="https://www.youtube.com/watch?v=77xBZf0XcBY" rel="noopener noreferrer" target="_blank"> 1</a> and <a href="https://www.youtube.com/watch?v=TPk0Gv3LBpA" rel="noopener noreferrer" target="_blank">2</a> and <a href="https://www.youtube.com/watch?v=Jbi09i3iPoo" rel="noopener noreferrer" target="_blank">5</a> (with members all telling us about it, as classical performers always should do), opus<a href="https://www.youtube.com/watch?v=QQWVlCZyrWY" rel="noopener noreferrer" target="_blank"> 59-1</a>, opus <a href="https://www.youtube.com/watch?v=VcVOOv0pl9g" rel="noopener noreferrer" target="_blank"> 59-2</a> (starts with two chords), opus <a href="https://www.youtube.com/watch?v=S4cOshcxRFE" rel="noopener noreferrer" target="_blank">59-3</a> (starts with lots of chords), <a href="https://www.youtube.com/watch?v=JVVdMzv02s8" rel="noopener noreferrer" target="_blank"> Quartet 12</a> and <a href="https://www.youtube.com/watch?v=cSyh0KoB-D4" rel="noopener noreferrer" target="_blank"> 13</a> and <a href="https://www.youtube.com/watch?v=a7wk0M125JM" rel="noopener noreferrer" target="_blank"> 14 </a>opus 131, and <a href="https://www.youtube.com/watch?v=gumi5pEpOaA" rel="noopener noreferrer" target="_blank"> 15</a> (Lydian mode, slow start) and <a href="https://www.youtube.com/watch?v=MVOQu481uZQ" rel="noopener noreferrer" target="_blank">16</a>. Symphony <a href="https://www.youtube.com/watch?v=W5NsPOgyALI" rel="noopener noreferrer" target="_blank">7 with Karajan</a>, no ads.

 BOCCHERINI. <a href="https://www.youtube.com/watch?v=zZbcIVTuHKQ" rel="noopener noreferrer" target="_blank"> Complete Cello Concertos</a>


PETER CORNELIUS. 1859. Ein Ton (One Tone) in <a href="https://www.youtube.com/watch?v=9ALqXaervew"> German</a> and <a href="https://youtu.be/WEtctSobrqY" rel="noopener noreferrer" target="_blank">English</a>. Sheet music (free)<a href="http://wnload-sheet-music.php?pdf=2372#" rel="noopener noreferrer" target="_blank"> here. </a>
(Thanks, Professor David Hirshleifer, for telling me of this.) The English is much better--- extraordinary and moving. I can't remember ever hearing such a striking improvement on the standard rendition of a piece of classical music. And it's surprising to find the English better than the original which is, to be frank, boring and mediocre when a soprano sings it as an art song. I wonder what Germans would think?
There is <a href="https://hundredyearslate.wordpress.com/?s=nelligan" rel="noopener noreferrer" target="_blank"> a webpage</a> at HundredYearsLate on this song.
David Nelligan did that English recording in 2013. I am very frustrated. He is a musical genius and a marketing cretin. His name is not listed at the you-tube site, though if you read quickly you can see it in small font on the video as the music plays. I couldn't find him on Google to find out about him and what other good work he may have done. He's made himself close to a "mute inglorious Milton". I hate it when people do that, often from a modesty which is admirable in some ways but really selfish because it means the rest of us don't get to benefit from their talent. The HundredYearsLate site, which has just a few entries, from around 2014, is his, but his name isn't in the About section or on the Ein Ton webpage I link to--- you have to really search the site to find him mention his name somewhere.
I'll write to him, and see if he likes my idea for another rendition. I'd like to hear it in his style--- with the piano loud and not pretty, and a drone in the background, and processed voice--- but in German. The words are good, but they are about anguish over a lost love, so having a pretty, highly controlled, soprano voice just kills the song. Nelligan gets it. You need a bit of honky tonk feel, real pain, just barely under control, for both piano and voice. The voice only has one note, but it needs lots of emotion, the impression that the singer might collapse before it's done and doesn't care if he sounds good or not.

 DELIBES. Barbier did not write the words for the Flower Duet in Delibes's <a href="https://en.wikipedia.org/wiki/Lakm%C3%A9" rel="noopener noreferrer" target="_blank">Lakme</a>. The Flower Duet is as good music as Offenbach's Barcarolle, but the words are nondescript.

 DVORAK. <a href="https://www.youtube.com/watch?v=llB7NaWLUc4">Jacqueline du Pré</a>, Dvořák Cello Concerto.
ELGAR. <a href="https://www.youtube.com/watch?v=vLNLvcBmoqo" rel="noopener noreferrer" target="_blank">Enigma Variations. </a>

 ELLA FITZGERALD.<a href="https://www.youtube.com/watch?v=T1FV5s4JHi8" rel="noopener noreferrer" target="_blank"> Various.</a>

 MOLTER. <a href="https://www.youtube.com/watch?v=oKMC8HvjVus" rel="noopener noreferrer" target="_blank">Complete cantatas. </a> After reading about Jack's "molter vivace" joke in The Far Side of the World. Molter really is good!

 OFFENBACH. I didn't remember that <a href="https://www.youtube.com/watch?v=0u0M4CMq7uI" rel="noopener noreferrer" target="_blank">the Barcarolle in Tales of Hoffmann</a> was a duet. Why does it bring tears to my eyes? I can't even make out the words. I did look up <a href="https://lyricstranslate.com/en/jacques-offenbach-barcarolle-lyrics.html" rel="noopener noreferrer" target="_blank">the words </a>just now:

 Belle nuit, ô nuit d’amour Souris à nos ivresses Nuit plus douce que le jour Ô,belle nuit d’amour! Le temps fuit et sans retour Emporte nos tendresses Loin de cet heureux séjour Le temps fuit sans retour Zéphyrs embrasés Versez-nous vos caresses Zéphyrs embrasés Donnez-nous vos baisers! Vos baisers! Vos baisers! Ah! Belle nuit, ô, nuit d’amour Souris à nos ivresses Nuit plus douce que le jour, Ô, belle nuit d’amour! Ah! souris à nos ivresses! Nuit d’amour, ô, nuit d’amour!
They really are quite good.<a href="https://en.wikipedia.org/wiki/Jules_Barbier" rel="noopener noreferrer" target="_blank"> Jules Barbier.</a> Maybe the got through my subconscious, since I can understand the French in text if not in song.
<img src="https://upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Barbier%2C_Jules%2C_Nadar%2C_Gallica.jpg/330px-Barbier%2C_Jules%2C_Nadar%2C_Gallica.jpg" alt="" />
PRESLEY. <a href="https://www.youtube.com/watch?v=-eHJ12Vhpyc" rel="noopener noreferrer" target="_blank">You Ain't Nothing But a Hound Dog.</a> Audio only.
SCHUBERT. <a href="https://www.youtube.com/watch?v=J_nKAXM9CY8" rel="noopener noreferrer" target="_blank">Trout quintet, Wigmore Hall. </a>
SCHUMANN. https://www.youtube.com/watch?v=xmXWs-nPSjc
SOUSA.<a href="https://www.youtube.com/watch?v=cxleNf2mjfg&list=PLA7no0L9zTk5QnKpwAcWV4jjhkCMsLuEt" rel="noopener noreferrer" target="_blank"> Complete marches.</a> STRAUSS. <a href="https://www.youtube.com/watch?v=KY2Mw0LMz-E" rel="noopener noreferrer" target="_blank">Die Fliedermaus</a>, German.
STRAUSS. Does <a href="https://www.youtube.com/watch?v=o9qVSXUU7Hw" rel="noopener noreferrer" target="_blank">the timpani player</a> in Also Sprach really look like me as a young man?
WAGNER <a href="https://www.youtube.com/watch?v=ibWxhwcZI_w" rel="noopener noreferrer" target="_blank">FLying Dutchman</a>, no video;
<a href="https://www.youtube.com/watch?v=9d-3nqzKTKU" rel="noopener noreferrer" target="_blank">Rheingold,</a> China; <a href="https://www.youtube.com/watch?v=dfuksVNEqAA" rel="noopener noreferrer" target="_blank">Rienzi.</a> Audio only;<a href="https://www.youtube.com/watch?v=j5pATBWOsLc" rel="noopener noreferrer" target="_blank"> Siegfried,</a> audio plus score.
