{"id":1445,"date":"2017-01-02T23:43:11","date_gmt":"2017-01-03T04:43:11","guid":{"rendered":"https:\/\/rasmusen.org\/special\/ameliajane\/?p=1445"},"modified":"2021-10-21T18:18:41","modified_gmt":"2021-10-21T23:18:41","slug":"artistic-adventure","status":"publish","type":"post","link":"https:\/\/rasmusen.org\/special\/ameliajane\/archives\/1445","title":{"rendered":"An Artistic Adventure"},"content":{"rendered":"<p>A couple months ago, I visited the Philadelphia Museum of Art. Unfortunately, I had very little money, no car, access only to unreliable tourist buses, and, on top of all that, no smartphone to navigate. My plans ran\u00a0amuck, and my brother and I careened around the entire city before we finally got to the art museum. When once we finally entered, we found its complimentary WiFi had crashed, and\u00a0I had to find a way to get my brother out of the museum district to somewhere with an internet cafe so he could do his homework. I ran out and stared at the Romanesque mausoleums stretching half a mile in every direction: no internet cafes.\u00a0Having no idea what to do, I did what many of us must admit we\u00a0have done before &#8211; I sat down on a bench and cried.<\/p>\n<p>Faintly, I saw a blurred pair of legs approach me. A person sat down beside me. &#8220;What&#8217;s wrong?&#8221;<\/p>\n<p>It was a kind museum shuttle driver whom I had asked (before I resorted to crying) about internet cafes only to get the response, &#8220;Internet cafe? What&#8217;s an internet cafe?&#8221;<\/p>\n<p>I wiped the water off my cheeks and explained in detail. He told me and my brother to hop on his shuttle and get off at the Rodin Institute, walk a block, and we&#8217;d find ourselves at a library.<\/p>\n<p>&#8220;I can&#8217;t watch a pretty girl cry,&#8221; he said.<\/p>\n<p>As the shuttle pulled out into traffic, I stood by the driver&#8217;s seat, my hand on a railing, and proceeded to chat with the driver about Philadelphia, African art, and Van Gogh. You see, most of my tears had been the tears of a disappointed child; I had been waiting for days to gaze upon Van Gogh&#8217;s genius in person only to arrive in the foyer and\u00a0find myself thwarted by the wretched fallibility of internet routers. The shuttle ground to a halt.<\/p>\n<p>&#8220;That&#8217;s the Rodin,&#8221; said the driver.<\/p>\n<p>&#8220;I&#8217;ll be back,&#8221; I assured him. &#8220;I can catch this shuttle back to the Museum, right?&#8221;<\/p>\n<p>He tipped his cap, and we hurried off.<\/p>\n<p>While my brother settled down at the library, I searched the shelves for art books and found a lovely tome titled\u00a0<em>Becoming Van Gogh<\/em> (Denver Art). I retain a sheet of graph paper scrawled with quotes from Van Gogh&#8217;s correspondence. I found it today, stuffed in my math binder, complete with underlinings:<\/p>\n<ul>\n<li>&#8220;Anyone who has so much faith and love that he takes pleasure in<br \/>\nwhat others find tedious, namely the study of anatomy, perspective, and proportion, they remain, and mature slowly but surely.&#8221;<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Onward &#8211; and it doesn&#8217;t matter a damn if it fails &#8211; and if it fails, then do it again.&#8221;<\/li>\n<\/ul>\n<ul>\n<li>&#8220;The spell of &#8216;you can&#8217;t&#8217; is great, but the man of faith, of energy, of warmth, and who knows something. . . <em>steps in and does something<\/em>, and hangs on to that, in short, breaks, <em>violates<\/em>.&#8221;<\/li>\n<\/ul>\n<ul>\n<li>&#8220;My great desire is to learn to make such inaccuracies, such variations, reworkings, alterations of the reality, that it might become, very well &#8211; lies, if you will &#8211; but <em>truer than the literal truth<\/em>.&#8221;<\/li>\n<\/ul>\n<ul>\n<li>&#8220;wrestling reality&#8221;\n<p style=\"text-align: center;\"><em>Pollard Birches<\/em> 1884<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1447\" data-permalink=\"https:\/\/rasmusen.org\/special\/ameliajane\/archives\/1445\/pollard-2\" data-orig-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?fit=567%2C415&amp;ssl=1\" data-orig-size=\"567,415\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"pollard\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pollard Birches, 1884&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?fit=567%2C415&amp;ssl=1\" class=\"aligncenter wp-image-1447\" src=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?resize=319%2C234&#038;ssl=1\" alt=\"\" width=\"319\" height=\"234\" srcset=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?resize=300%2C220&amp;ssl=1 300w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/pollard.jpg?w=567&amp;ssl=1 567w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/a><\/p>\n<p>I fulfilled my vow to the shuttle driver and returned. I waved him down at a stop sign and hopped in, feeling surreal. I had just passed by &#8220;The Thinker&#8221;&#8230;. by Rodin&#8230;. The Rodin Institute! I hadn&#8217;t made the connection until I saw the gnarly metal sculpture itself meditating on the Institute&#8217;s front lawn. I must admit, I took a selfie.<\/p>\n<p style=\"text-align: center;\">The Thinker<\/p>\n<blockquote>\n<p style=\"text-align: left;\">The first large-scale bronze <a title=\"Casting (metalworking)\" href=\"https:\/\/en.wikipedia.org\/wiki\/Casting_(metalworking)\">casting<\/a> was finished in 1902 but not presented to the public until 1904. It became the property of the city of Paris thanks to a subscription organized by Rodin admirers, and was put in front of the <a title=\"Panth\u00e9on\" href=\"https:\/\/en.wikipedia.org\/wiki\/Panth%C3%A9on\">Panth\u00e9on<\/a> in 1906. In 1922, it was moved to the <a title=\"H\u00f4tel Biron\" href=\"https:\/\/en.wikipedia.org\/wiki\/H%C3%B4tel_Biron\">H\u00f4tel Biron<\/a>, which had been transformed into the <a title=\"Mus\u00e9e Rodin\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mus%C3%A9e_Rodin\">Rodin Museum<\/a>.<\/p>\n<p style=\"text-align: left;\">&#8220;The Thinker.&#8221; <i>Wikipedia<\/i>. Wikimedia Foundation, n.d. Web. 02 Jan. 2017.<\/p>\n<\/blockquote>\n<p><a href=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1448\" data-permalink=\"https:\/\/rasmusen.org\/special\/ameliajane\/archives\/1445\/rodin\" data-orig-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?fit=640%2C640&amp;ssl=1\" data-orig-size=\"640,640\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 4S&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1474736665&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;1.85&quot;,&quot;iso&quot;:&quot;125&quot;,&quot;shutter_speed&quot;:&quot;0.0015698587127159&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"rodin\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Amelia Meets Rodin&amp;#039;s famous sculpture&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?fit=640%2C640&amp;ssl=1\" class=\"aligncenter wp-image-1448\" src=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?resize=256%2C256&#038;ssl=1\" alt=\"\" width=\"256\" height=\"256\" srcset=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/a><\/p>\n<p>Where was I? Oh, yes. I had hopped on the shuttle. Off we went, back to the Art Museum. I got in, bobbed around for awhile on cloud 9, and eventually made it to the Impressionist section where I accidentally met eyes with\u00a0a tall, swarthy guy with a manbun. It was one of those really weird eye-meetings where you feel obliged to halt in your tracks. The surrealism vamped up 200%.<\/p>\n<p>&#8220;Oh. Hey,&#8221; he said, with a rather lost, befuddled look around the room. &#8220;I have this feeling you&#8217;re an art person.&#8221;<\/p>\n<p>&#8220;Yeah,&#8221; I said.<\/p>\n<p>&#8220;It&#8217;s funny,&#8221; he said, with another lost look about the room. &#8220;I&#8217;m into zodiacs and horoscopes, and lately everything&#8217;s been telling me &#8216;paint, paint, paint.&#8217; So I thought I&#8217;d buy some canvases and just try splashing some paint on them. Do you have any advice?&#8221;<\/p>\n<p>I gave him lots of advice and probably scared him off from artsy-looking girls for good.<\/p>\n<p>&#8220;Uh, do you have a social media account, or something,&#8221; he asked.<\/p>\n<p>&#8220;No,&#8221; I answered firmly.<\/p>\n<p>We both wandered off.<\/p>\n<p>And now, oh joy!, I could go and check out those priceless Van Gogh&#8217;s.<\/p>\n<p>Turns out I was a bit disappointed. Van Gogh paintings vary profusely in quality. He was, after all, a trailblazer, and some of his experiments didn&#8217;t work out too well.<\/p>\n<p>However, I did find\u00a0an unexpected diamond sparkling in the corner. Monet&#8217;s &#8220;Waterlilies and a Japanese Bridge&#8221; entranced the eye with its pensive depth. Photos fail to capture the richness of the original.<\/p>\n<p style=\"text-align: center;\"><em>Waterlilies and a Japanese Bridge<\/em> 1889<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1450\" data-permalink=\"https:\/\/rasmusen.org\/special\/ameliajane\/archives\/1445\/monet\" data-orig-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?fit=600%2C562&amp;ssl=1\" data-orig-size=\"600,562\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"monet\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;The Japanese Footbridge and the Water Lily Pool, Giverny, 1899&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?fit=600%2C562&amp;ssl=1\" class=\"aligncenter size-medium wp-image-1450\" src=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?resize=300%2C281&#038;ssl=1\" alt=\"\" width=\"300\" height=\"281\" srcset=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?resize=300%2C281&amp;ssl=1 300w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/monet.jpg?w=600&amp;ssl=1 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">See the layers, the way they draw you <em>into<\/em> the picture? In person, that effect is stronger.<\/p>\n<p style=\"text-align: left;\">From the same year, Van Gogh&#8217;s ugly baby picture (as I like to call it); I liked it so much I took a close-up picture:<\/p>\n<p style=\"text-align: center;\"><em>Portrait of Madame Augustine Roulin and Baby Marcelle<\/em> 1889<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1451\" data-permalink=\"https:\/\/rasmusen.org\/special\/ameliajane\/archives\/1445\/babu\" data-orig-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?fit=577%2C577&amp;ssl=1\" data-orig-size=\"577,577\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"babu\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mother Roulin with Her Baby, 1888&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?fit=577%2C577&amp;ssl=1\" class=\"aligncenter size-medium wp-image-1451\" src=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/babu.jpg?w=577&amp;ssl=1 577w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">It may be ugly, but it&#8217;s <em>fascinating<\/em>.<\/p>\n<p style=\"text-align: left;\">I didn&#8217;t have much time. We had to be back at the hotel in time for dinner. So I toddled back out to the shuttle, jumped on, got off at the Rodin Institute, walked a block to the library, grabbed Ben, toddled back the the shuttle, and asked the shuttle driver if the buses were still running.<\/p>\n<p style=\"text-align: left;\">&#8220;You can walk back to the ____ Hotel,&#8221; he said. &#8220;See that fountain over there? Just walk towards it and continue up ___ Road. Continue on that, and you&#8217;ll recognize the area. Turn right and you&#8217;re back at __ Square.&#8221; He made me repeat the directions back to him, and he made Ben repeat them too.<\/p>\n<p style=\"text-align: left;\">I must say, I was a bit chagrined. We had traipsed about on the buses for a couple hours &#8211; heck, we went through Chinatown! &#8211; and the museums had been within walking distance all along.<\/p>\n<p style=\"text-align: left;\">But the story ended happily at a fancy restaurant, where we filled up our growling bellies with fancy food, and finally, in our fancy beds, lulled to sleep by the twinkling lights of the cityscape below.<\/p>\n<p style=\"text-align: left;\">Farewell,<\/p>\n<p style=\"text-align: left;\">Farewell,<\/p>\n<p style=\"text-align: left;\">Yours ever,<\/p>\n<p style=\"text-align: left;\">Amelia<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple months ago, I visited the Philadelphia Museum of Art. Unfortunately, I had very little money, no car, access only to unreliable tourist buses, and, on top of all that, no smartphone to navigate. My plans ran\u00a0amuck, and my brother and I careened around the entire city before we finally got to the art&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[23,409,408,412,410,411],"class_list":["post-1445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art","tag-museum","tag-philadelphia","tag-portrait-of-madame-augustine-roulin-and-baby-marcelle-1889","tag-van-gogh","tag-waterlilies-and-a-japanese-bridge-1889"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/rasmusen.org\/special\/ameliajane\/wp-content\/uploads\/2017\/01\/rodin.jpg?fit=640%2C640&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4WcVY-nj","_links":{"self":[{"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/posts\/1445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/comments?post=1445"}],"version-history":[{"count":6,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/posts\/1445\/revisions"}],"predecessor-version":[{"id":2374,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/posts\/1445\/revisions\/2374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/media\/1448"}],"wp:attachment":[{"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/media?parent=1445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/categories?post=1445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rasmusen.org\/special\/ameliajane\/wp-json\/wp\/v2\/tags?post=1445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}